Paul Klee, “Eros,” 1923, watercolor, gouache, pencil, paper
Jul 2, 2014 / 10 notes

Paul Klee, “Eros,” 1923, watercolor, gouache, pencil, paper

Dan Flavin
“icon V (Coran’s Broadway Flesh)”
1962
Oil on cold gesso on Masonite, porcelain receptacles, pull chains, and clear incandescent “candle” bulbs.
31 5/8 x 31 5/8 x 9 7/8 inches (80.5 x 80.5 x 25.1 cm) including fixtures and lamps
Photo by Bill Jacobson, New York © 2009 Stephen Flavin/Artists Rights Society (ARS), New York; courtesy of David Zwirner, New York/London.
Jul 2, 2014

Dan Flavin
“icon V (Coran’s Broadway Flesh)”
1962
Oil on cold gesso on Masonite, porcelain receptacles, pull chains, and clear incandescent “candle” bulbs.
31 5/8 x 31 5/8 x 9 7/8 inches (80.5 x 80.5 x 25.1 cm) including fixtures and lamps

Photo by Bill Jacobson, New York © 2009 Stephen Flavin/Artists Rights Society (ARS), New York; courtesy of David Zwirner, New York/London.

Apr 16, 2014

Sigmar Polke, “Apparatus Whereby One Potato Can Orbit Another,” 1969

Ideal Halloween costume
Kate Bush, 1981
Oct 18, 2013 / 64 notes

Ideal Halloween costume

Kate Bush, 1981

A fascinating read: "Simon Hantaï’s Discontent," on Hyperallergic 
Sep 9, 2013 / 4 notes
André Breton, Jack the Ripper (Jack l’éventreur), from VVV Portfolio, 1942
Offset lithograph postcard, ink, metallic paint, thread, and sequins on paper
Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950; 1950-134-972
Sep 8, 2013 / 2 notes

André Breton, Jack the Ripper (Jack l’éventreur), from VVV Portfolio, 1942

Offset lithograph postcard, ink, metallic paint, thread, and sequins on paper

Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950; 1950-134-972

"Destroy the Brutalism, Leave the Picasso: A Debate Over What’s Worth Saving in Oslo," from Hyperallergic
Another Brutalist building in peril, with added intrigue.
Aug 21, 2013 / 13 notes
Sir Roland Penrose (1900-1984) Seeing is Believing (L’Ile Invisible), 1937 oil on canvas, 40 x 30 in. (101.6 x 76.3 cm.) 
Aug 7, 2013 / 10 notes

Sir Roland Penrose (1900-1984) 
Seeing is Believing (L’Ile Invisible), 1937 
oil on canvas, 40 x 30 in. (101.6 x 76.3 cm.) 

Sophie Taeuber-Arp, Composition of Circles and Overlapping Angles, 1930 (Museum of Modern Art, New York)
Jul 31, 2013 / 2 notes

Sophie Taeuber-Arp, Composition of Circles and Overlapping Angles, 1930 (Museum of Modern Art, New York)

Jul 21, 2013 / 3 notes

Talking Heads at CBGB, December 1975

Jul 19, 2013 / 1 note

Wall of Voodoo, “Back in Flesh,” from “Urgh! A Music War” (1981).

Pae White. Chandelier. Berlin. 
lauralombardi:

(via Lichtbau:  Archive)
Jul 18, 2013 / 3 notes
Pae White. Chandelier. Berlin.

lauralombardi:

(via Lichtbau: Archive)

Jul 17, 2013 / 221 notes

Wellesley Tumblr Roll Call

wellesleyunderground:

Can we do a roll call for all the Wellesley peeps on Tumblr? Just reblog this if you go to/went to Wellesley. If you are inclined, you can add your name and year but it’s fine if you don’t.

<3 Wellesley Underground

2005, year of excellence!

(via bearfax)

nunofgouveia1:

Nam June Paik, Magnet TV, 1965  
Jul 14, 2013 / 2,654 notes

nunofgouveia1:


Nam June Paik, Magnet TV, 1965  

(via lumosarts)

Jul 13, 2013 / 3 notes

Orange Juice, “Rip it Up” (1983)

The song is 2000x better than the lip-synching.