Adorée au grand air, César Moro, 1935. The Getty Research Institute, 980029
Adorée au grand air, César Moro, 1935. The Getty Research Institute, 980029
Max Ernst, Les Hommes n’en sauront rien (Men Shall Know Nothing of This), 1923
Oil on canvas, 803 x 638 mm
Tate, Purchased 1960 (T00336)
Ernst inscribed the painting, “The picture is curious because of its symmetry. The two sexes balance one another.”
Dorothea Tanning, 1910-2012
Oil on canvas
40 1/4 x 25 1/2 inches (102.2 x 64.8 cm)
Philadelphia Museum of Art, Purchased with funds contributed by C. K. Williams, II, 1999-50-1
© Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
New Formations: Czech Avant-Garde Art and Modern Glass from the Roy and Mary Cullen Collection
November 6, 2011-February 5, 2012
The Museum of Fine Arts, Houston
René Clair, “Entr’acte,” 1924, with Francis Picabia and Erik Satie
Maya Deren, “Meshes of the Afternoon,” 1943
Maya Deren, “Witch’s Cradle” 1943
Fernand Léger’s “The Girl With the Prefabricated Heart” from Hans Richter’s “Dreams that Money Can Buy,” 1947
Man Ray, New York, 1917 and 1966. Chromed and painted bronze, 17 × 9 5/16 × 9 5/16 in. (43.2 × 23.7 × 23.7 cm). Edition no. 3/9. Whitney Museum of American Art, New York; purchase with funds from the Modern Painting and Sculpture Committee 96.174 © 2009 Man Ray Trust / Artists Rights Society (ARS), NY / ADAGP, Paris
Nick takes on Life. This is the best letter from a child I’ve read all day:
Dear Milton Bradly,
I think your new version of Life® game is...
Sorry if this put a cramp in your scrolling hand.
Charles Frederic Ramsey, Pinpoint Abstraction, c. 1940. via Sotheby’s
Karlie’s Jason Wu dress for the Met ball
“Same-sex couples should be able to get married.”—President Obama